In his ongoing blog, photographer and environmental activist J Henry Fair, a frequent contributor to OnEarth Magazine, is sharing stories about his work and thoughts on current environmental affairs. You can follow along here.
Another hot day.
Our plan was to fly west to Queen Bess Island, west of the Mississippi River where BP is rumored to be hiding oil-soaked animals, but a storm front prevented us from flying there. We instead decided to go straight for the source.
As soon as we leave the shore, we see oil. The wave crests have a strange texture, and the wind makes abnormal patterns. As a long time sailor, I can see it, and am more aware of it on this second flight. Oil calms the water.
Preparation is so important on these projects.
I have decided to try tapping off my lenses ad nauseam, instead of letting the auto focus work. Hopefully that will allow a faster shoot response time.
The source site is completely different.
We hear that overnight the LMRP was put over the severed pipe, but that only a fraction of the oil is being captured.
We see less oil on the surface, or rather it does not have the same multi-colored sheen. The drill ship is flaring gas, and a tremendous plume of oil seems to start there and extend downwind. It is a different color than anything we have seen before, very brown. There are more planes at the site which makes operation in the area hazardous. At one point a plane passes just below, disconcerting.
The flare is fascinating, and we circle repeatedly. Because of all of the traffic, we cannot go in as close as I would like. The skimmer teams do not seem to be so effective, as the quality of the oil is different. Two days ago the skimmers made a noticeable trail when they passed through the oil, but not today.
More later...
Photographer J Henry Fair is best known for his Industrial Scars series, in which he researches our world’s most egregious environmental disasters and creates images that are simultaneously stunning and horrifying. His photographs captivate audiences, as they more
...Photographer J Henry Fair is best known for his Industrial Scars series, in which he researches our world’s most egregious environmental disasters and creates images that are simultaneously stunning and horrifying. His photographs captivate audiences, as they more closely resemble abstract paintings by Georgia O’Keeffe and Jackson Pollock than the disturbing scenes of actual reality that they depict. Mr. Fair’s work has been featured in segments on The TODAY Show, CNN, FOX News, and WDR German TV, as well as in most major publications, including National Geographic, TIME, New York Magazine, Harper’s Magazine, and GQ. Additionally, Mr. Fair’s work travels around the world in fine art exhibitions at major museums, galleries, and educational institutions.
Mr. Fair has an active lecture schedule, presenting photographic symposia to audiences in the US and abroad. Recent engagements include The Collegiate School, Bloomberg, Die Spedition, and Green Mountain College, where Mr. Fair will return this fall for an artist-in-residency. He gives readers a first-hand look inside the important issues he studies, writing and blogging about art and the environment, and is a regular contributor to the Huffington Post.
J Henry Fair supports a number of environmental organizations that share his commitment to changing destructive consumer habits and effecting positive change in our environment. He is co-founder of the Wolf Conservation Center in South Salem, NY, an organization that is dedicated to the protection of and education about the world’s wolf population.
Mr. Fair’s first book, The Day After Tomorrow: Images of Our Earth in Crisis will be released Fall, 2010, published by powerHouse Books in cooperation with Random House. His work is represented exclusively in New York City and Santa Fe by Gerald Peters Gallery.
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